#Paul mccartney george harrison movie

The big screen behind the stage shone with images from across McCartney’s history, with animations of the young Beatles, and montages of that band in joyous form from Get Back, with psychedelic cartoons in the vein of Yellow Submarine.ĭuring “Getting Better,” rubble in images of post-apocalyptic New York, London, and Paris yielded to sprouting vines and burgeoning flowers, emphasizing the night’s theme of rebirth. McCartney played his iconic fiddle-shaped Höfner bass - but also electric and acoustic guitar, mandolin, and both upright and baby-grand pianos. McCartney, keyboardist Paul “Wix” Wickens, drummer Abe Laboriel Jr., guitarist Rusty Anderson, and guitarist-bassist Brian Ray, opened with the early Beatles hit “Can’t Buy Me Love” and a heavy take on Wings’ riff rocker “Junior’s Farm.” The Hot City Horns (saxophonist Kenji Fenton, trumpeter Mike Davis, and trombonist Paul Burton) joined for Wings’ “Letting Go,” and lent tight and tasteful brass harmony across the night. The show was one long set of Beatles, Wings, and McCartney tunes - and plenty of storytelling. In a small-city warmup in Spokane, Washington, a delighted McCartney led his tight band through a smorgasbord of Beatles, Wings, and solo classics - including portions of the famed Side Two medley from Abbey Road and some surprise vocals from the late John Lennon. Paul McCartney, Kendrick Lamar Set to Headline Glastonbury Paul McCartney Pays Tribute to 'True Rock & Roll Hero' Taylor Hawkins Paul McCartney's 'Maxwell's Silver Hammer' Lyrics Can Be Yours for Around Half a Million So, it’s no coincidence that McCartney, two months shy of 80 and returning to the road for the first time since the Covid-19 pandemic threw the world into a collective doldrum, is calling his tour Got Back. It’s his job to get the Beatles back to being the Beatles again. And McCartney, bearded and overflowing with song ideas - among them, the seeds of “Get Back” - becomes the group’s engine. The Beatles are in the dumps and just about done. There’s a sequence in Peter Jackson’s 2021 Beatles documentary, Get Back, when, on the fourth day of the tense writing-and-rehearsal marathon for a high-stakes live show and what would become the Fab Four’s final album, Let It Be, Paul McCartney, George Harrison, and Ringo Starr are sitting around griping that John Lennon is running late, as usual. I can study everything about him.220428_PM_Spokane_1139RT1A - Credit: © MPL Communications Ltd “John was to the left or to the right of me, so I never got to sort of see him perform so much. “Whenever I was in the band, playing live, I’d be facing out,” he said. McCartney listed another positive from Jackson’s version of events. But I sort of feel like it doesn’t bother me now, because I feel like a lot of people sort of get it.” Buying into this myth that I was the bad one, it bothered me for years. “The elder brother does shout at the younger brother, and then they have fisticuffs or whatever,” he said of his relationship with Lennon.

#Paul mccartney george harrison movie

He's previously said Get Back proves the real story behind the making of the album was different from the one told in the original 1969 movie Let It Be, which helped fuel public perception that he was to blame for the group’s demise. We never said, ‘Let’s keep George out of it,’ but it was implied.” McCartney said Harrison was right to leave, telling The New Yorker about an early conversation with Lennon: “I remember … saying to John, ‘Look, you know, it should just be you and me who are the writers.